Showing posts with label Sayers. Show all posts
Showing posts with label Sayers. Show all posts

Wednesday, April 12, 2017

Mini Reviews: The Books I Read in March 2017

--I'm catching up on my book notes, taking them a month at a time. Since I'm behind, I'm only allowing myself a line or two on each book. I hope they still give you an idea of whether or not these would be books you'd enjoy picking up yourself!--



-"What the Most Successful People Do Before Breakfast: And Two Other Short Guides to Achieving More at Work and at Home," by Laura Vanderkam. This is a compilation of three short e-books. I don't share Vanderkam's optimism about how many things can be accomplished in one short weekend or morning, but I still appreciate her novel and hopeful way of looking at the number of hours we are all given in our days and weeks.



-"Eleanor and Park," by Rainbow Rowell. I listened to this one on audiobook. Beautifully and compellingly written, as Rowell's work always is. But I didn't enjoy it, mostly because the heroine's home life is so (legitimately, realistically) bleak and depressing. I also wouldn't pass it on to a teenager, b/c of the level of (probably also legitimate and realistic) sensuality. But beautifully done, all the same.



-"The Masqueraders," by Georgette Heyer. This was my favorite Heyer for a long, long time. ("Sylvester, Or, The Wicked Uncle" has since supplanted it from the top spot, but just barely.)

This romance, full of adventure and derring-do, disguise and weariness of disguise, a slow-burning friendship turned into passion, and one of the happiest and most harmonious sibling relationships I've ever seen in fiction, remains one of my very favorite stories. Prudence and her "mountain" win me over every time.



-"How to Manage Your Home Without Losing Your Mind: Dealing with Your House's Dirty Little Secrets," by Dana K. White. Lots of housekeeping books say they're for people who aren't naturally good at housekeeping.

This one actually is.




-"The Hobbit," by J. R. R. Tolkien. Just finished listening through this with Adam and the kids. Delightful, as always.



-"Busman's Honeymoon," by Dorothy L. Sayers. It was my first time making it through this--which is shocking, given my love for "Gaudy Night"!  But l always stalled after the delightful exchange of letters at the beginning of the book. Still, I'm glad I've read it now, and next time I can revisit it with pleasure, knowing that while it might be a bit uneven, it has all the charm and interest and deep feeling I've come to expect from Sayers' accounts of Lord Peter and Harriet.

(Also





--SPOILER ALERT--




the ghosts! Why did I never know about the ghosts???)




Peace of Christ to you,
Jessica Snell





This post contains Amazon affiliate links; if you purchase a book from this link, I receive a small percentage of the purchase price.  (See full disclosure on sidebar of my blog.)


Monday, April 3, 2017

Mini Reviews: The Books I Read in January 2017

--I'm catching up on my book notes, taking them a month at a time. Since I'm behind, I'm only allowing myself a line or two on each book. I hope they still give you an idea of whether or not these would be books you'd enjoy picking up yourself!--



-"Have His Carcase," by Dorothy L. Sayers. In which our hero and heroine alternately romance each other and get cranky at each other. Featuring a lovely coastline walk I'd love to take, minus the murder. Delightful, as always. (Lord Peter and Harriet Vane 4Ever.)



-"Murder Must Advertise," by Dorothy L. Sayers. Of the Lord Peter Wimsey books which do NOT feature Harriet Vane, I'd put this or "The Nine Tailors" at the top of the heap. Seeing Lord Peter go undercover in not just one, but two! roles...it's a thing of beauty. Please read this. It's marvelous.




-"The Con Job (Leverage #1)," by Matt Forbeck. Great fun if you're a fan of the show. The "Con" of the title is Comic Con in San Diego, making this a con pulled at a con--a happy thought that justifies the book's entire existence. The author has so much fun with the combination of these characters in that setting, and I had a great time reading it. Cautions for the sort of language and situations you'd expect to find on a network television drama.



-"Gaudy Night," by Dorothy L. Sayers. The best of novels. What else can I say?  Well, this, I guess: after reading it through this time around, I found myself telling my sister-in-law, "Every time I read this, I copy out more quotations from it. Eventually I'm going to have retyped this book word-for-word onto a document on my computer."



-"Christmas at Thompson Hall and Other Christmas Stories," by Anthony Trollope. Not my favorite of Trollope's work, but I enjoyed dipping into this bit of Victorian fiction over the holidays. The story set in the United States during the Civil War was especially interesting. (It's always interesting to read treatments of America by foreign visitors.)


Peace of Christ to you,
Jessica Snell


This post contains Amazon affiliate links; if you purchase a book from this link, I receive a small percentage of the purchase price.  (See full disclosure on sidebar of my blog.)

Sunday, August 21, 2016

Weekly Links: some good reading from around the web

wouldn't mind heading back here...

SOME interesting links FOR YOUR SUNDAY AFTERNOON, SET OUT IN MY USUAL CATEGORIES OF FAITH, FAMILY, AND FICTION...


Faith 

-"Give Us This Day Our Daily Bread...": a good poem for Sunday.

-"A Commendation of Leviticus": a helpful guide to a book that often stymies Christians in their Bible reading.

-"15 Proverbs for Social Media Users": much-too-applicable to real life!

-"Some Things You Should Know About Christians Who Struggle With Anxiety": yes, this.

-"On Daughters and Dating: How to Intimidate Suitors": I loved this. I loved the implication that the truly admirable men are the ones who look at strong, godly, content women and say, "Oh, yes please". And that the best way to protect your daughter is to raise her into a woman who is competent and who knows her worth and who knows her family and her God love her, support her, and have her back.  A snippet:
Instead of intimidating all your daughter's potential suitors, raise a daughter who intimidates them just fine on her own. 


Family 

-"McMansion 101: What Makes a McMansion Bad Architecture": I fell down this rabbit hole thanks to Anne Kennedy, and I don't regret it. This was fascinating.

-"How one family is sending 13 kids to college, living debt free - and still plans to retire early": inspiring stuff!


Fiction


-"Where Her Whimsy Took Me": a love letter to Dorothy Sayers' excellent novel, Gaudy Night.

-"The Writing Tricks We'd Be Naked Without": a good round-up of tips for my fellow writers.

-"The Unofficial Rules of the Starship Enterprise": This hilarious list-style bit of fanfic confirmed my secret theory that life aboard a REAL starship would inevitably involve a M.A.S.H.-style illegal still...


I hope you have a good weekend!

Peace of Christ to you,
Jessica Snell


This post contains an Amazon affiliate link; if you purchase a book from this link, I receive a small percentage of the purchase price.  (See full disclosure on sidebar of my blog.)

Thursday, March 15, 2012

Book Notes: "Are Women Human?" by Dorothy L. Sayers

Are Women Human?Are Women Human? by Dorothy L. Sayers
My rating: 5 of 5 stars

The short answer is “yes”. The longer answer concerns what that “yes” implies. Sayers says that if women are human first, and female second, then they have vocations, or “proper work” just as men (human first, male second) do.
This essay was out of print for awhile, but now is back. I highly recommend it.

View all my reviews


Okay, the above is my short review. Here's a slightly longer response:

It's hard to take any notes on this book because it is so short and so profound. My instinct is just to copy it all down and let you read it, because every word in the book is worth reading and rereading, and even if you read and reread it, it would scarcely take you over an hour.

Along with her "Gaudy Night", "Are Women Human?" is one of those books I reread periodically in order to get my head set on straight.

Sayers' main assertion in the two essays that make up this book is that the first thing that is important about women is that they are human. That they are female may be the second most important thing about them - after all, the first thing you notice about someone after you notice that he is a person is whether or not he is a he or she is a she - but the first most important thing about a person is that he is a person. In our case, a human being. We are creatures made in the image of God, and that is the first thing there is to know about us. It's the most important thing to keep in mind as we go on to look at the differences between the sexes.

The other main subject that these essays explore is work. Sayers wants to make it clear that if a person is clearly made for a specific sort of work, she ought to be allowed to do it. She doesn't insist that every woman is a genius, and admits that very few may be specially gifted for special work. But, she says, if they are good at something and the thing they are good at is worth doing, then they ought to be allowed to do it and to do it well. She's very big on people being allowed to do their "proper work" - that is, the work that belongs to them. In short, she is arguing for excellence. She is arguing for virtue - for skill to be allowed to be diligently and wisely applied to the tasks at hand.

And I would say, honestly, that this is very much along the lines of what we find in Proverbs 31, in the paean of praise to the ideal wife. That woman works. And it is intelligent, creative, organizational work. And it is hers and she does it well.

The book ends with Sayers explicating the parts of the gospel where Jesus interacts with women, pointing out that he took them seriously.

I don't insist that Sayers got it all right, or that this is anything like a comprehensive take on the issue, but it's well-worth an hour of your attention - or if you're like me, an hour of your attention about once a year.

Peace of Christ to you,
Jessica Snell


Tuesday, December 6, 2011

Keeping Advent: Watching, Working, and Waiting: the duties and vocations of women

My Advent thoughts this week have been prompted by my Bible reading, which is probably a good thing. The St. James Devotional that I use has been taking us through some of the more dire parables in Matthew, and so I've been pondering things like the Parable of the Talents.

Is it a coincidence that in English "talents" means gifts or abilities, and that when I read the Parable of the Talents I can't help but think of "gifts or abilities" rather than "denomination of coin"?

When I think about this parable, what comes to mind first is Milton's sonnet on his blindness, where he complains, "When I consider how my light is spent/Ere half my days in this dark world and wide/And that one talent which is death to hide/Lodged in me useless . . ." He was a writer who couldn't see; what had he to offer God then?

The poem famously leads him to a consideration of the majesty of God, who has thousands upon thousands of other servants to perform whatever acts of service He desires. Milton concludes that God doesn't need him, and yet it is God's good pleasure to have him ready and willing for whatever order may come. Milton concludes, "They also serve who only stand and wait."

And Advent is a season of waiting. So Milton's sonnet seems a fit conclusion for me to reach. I stand and wait.

And yet . . . and yet I know what the blind Milton went on to do: he wrote Paradise Lost in his blindness, dictating each stanza to his daughters. He was willing to only stand and wait, but that wasn't what ended up being required of him.

So.

I said above that my Advent thoughts this week have been prompted by my Bible reading, but that's only part of the truth. They've also been prompted by my Sayers reading; I just reread her powerful collection of essays entitled Are Women Human?

(The answer, in case you're wondering, is "yes.")

These essays, perhaps surprisingly, are largely about work. One of Sayers' primary concerns, in promoting the humanity of women (women, she points out, are human ("homo") first and female ("femina") second) is that they be allowed to do their proper work.

She doesn't insist that every woman everywhere has a special vocation, instead she says:

I have admitted that there are very few women who would put their job before every earthly consideration. I will go further and assert that there are very few men who would do it either. In fact, there is perhaps only one human being in a thousand who is passionately interested in his job for the job's sake. The difference is that if that one person in a thousand is a man, we say, simply, that he is passionately keen on his job; if she is a woman, we say she is a freak.
I can't help but be reminded of Sayers' character Harriet Vane, who, when challenged about the "unwomanliness" of her job of writing murder mysteries retorts that her challenger would no doubt rather she did something more feminine, like washing floors. The only problem, says Harriet, is that:

". . . I should scrub floors very badly, and I write detective stories rather well. I don't see why proper feelings should prevent me from doing my proper job."
The idea of a "proper job" captivates me, probably because I know what mine is. It's to write fiction. (Is there any wonder I go back to Harriet Vane's story again and again?)

And yet I also have my duty - the duty that does come on me not as a human, but as a woman, and as a married woman: the care of house and children. "Duty" sounds cold to our modern ears, but I don't mean it that way. My children are the delight of my heart and my home is the happy center of my earthly universe.  But "duty" in the sense of "the normal tasks appointed in the normal course of things, without which I could not be healthy, well, or sane".

I'm not quite sure what the solution to the problem of vocation and duty is, mostly because I'm not quite convinced that it is a problem. (Clarification: I'm not sure it's a philosophical problem. I do see (oh so clearly!) that it's a practical problem.) I just can't see an earthly reason why it should be "duty versus vocation" rather than the simple "duty and vocation". It feels like the former, sometimes, but I firmly believe that God always gives what He demands, and that it's all a question of how and when and not what.

But there is one section, in the final pages of Are Women Human? that seems to at least frame well the  at-least-apparent-if-not-actual conflict between duty and vocation:

God, of course, may have His own opinion, but the Church is reluctant to endorse it. I think I have never heard a sermon preached on the story of Martha and Mary that did not attempt, somehow, somewhere, to explain away its text. Mary's, of course, was the better part - the Lord said so, and we must not precisely contradict Him. But we will be careful not to despise Martha. No doubt, He approved of her too. We could not get on without her, and indeed (having paid lip-service to God's opinion) we must admit that we greatly prefer her. For Martha was doing a really feminine job, whereas Mary was just behaving like any other disciple, male or female; and that is a hard pill to swallow . . . Women are not human; nobody shall persuade that they are human, let them say what they like, we will not believe it, though One rose from the dead.
Mary was a contemplative. She is, I think, a fitting model for this Advent season, wherein we watch, we work, and we wait.

More Advent thoughts found here, at A Ten O'Clock Scholar.

Peace of Christ to you,
Jessica Snell

ETA: An update on this entry can be found here.




Friday, February 18, 2011

oh dear, I can't stop

This is the problem with favorite books. I went searching for that last quotation (the "overmastering" one) and found this:

". . . Detachment is a rare virtue, and very few people find it lovable, either in themselves or in others. If you ever find a person who likes you in spite of it - still more, because of it - that liking has very great value, because it is perfectly sincere, and because, with that person, you will never need be anything but sincere yourself."

"That is probably very true," said Harriet, "but what makes you say it?"

"Not any desire to offend you, believe me. But I imagine you come across a number of people who are disconcerted by the difference between what you do feel and what they fancy you ought to feel. It is fatal to pay the smallest attention to them."

"Yes," said Harriet, "but I am one of them. I disconcert myself very much. I never know what I do feel."

"I don't think that matters, provided one doesn't try to persuade one's self into appropriate feelings."


It'd be unfair to Sayers' genius to say that Miss de Vine comes across as anything less than a fully-realized character in the book. However, I think she really does play the part of Shakespeare's Fool or a the Greek Chorus, telling you what you are to make of the story - or at least where you ought to start. Almost all the magnificent pronouncements of the story seem to come from her.

Peace of Christ to you,

Jessica Snell

ETA: fwiw, I find myself myself much closer to Harriet's "I disconcert myself very much" than to the divine peace of Miss, um, de Vine.

addition to my last post

I should say that I only copied out the section I did because it was the section I happened to listen to today. If I were to pull out one quotation to sum up the book, it should be this one:

"But one has to make some sort of choice," said Harriert. "And between one desire and another, how is one to know which things are really of overmastering importance?"

"We can only know that," said Miss de Vine, "when they have overmastered us."


Peace of Christ to you,

Jessica Snell

fundamental mistakes

Today I was sorting through my twins' clothes - taking out the too-small, putting in the slightly too-big - and listening to Dorothy Sayers' Gaudy Night, my favorite novel.

Why is it my favorite? Well because of dialogues like this:

"I quite agree with you," said Miss de Vine, "about the difficulty of combining intellectual and emotional interests . . "

"But suppose one doesn't quite know which one wants to put first. Suppose," said Harriet, falling back on words which were not her own, "suppose one is cursed with both a heart and a brain?"

"You can usually tell," said Miss de Vine, "by seeing what kind of mistakes you make. I'm quite sure that one never makes fundamental mistakes about the thing one really wants to do. Fundamental mistakes arise out of lack of genuine interest. In my opinion, that is."

"I made a very big mistake once," said Harriet, "as I expect you know. I don't think it arose out of a lack of interest. It seemed at the time the most important thing in the world."

"And yet you made the mistake. Were you really giving all your mind to it? Your mind? Were you really being as cautious and exacting about it as you would be about writing a passage of fine prose?"

"That's rather a difficult sort of comparison. One can't, surely, deal with emotional excitements in that detached spirit."

"Isn't the writing of a good prose an emotional excitement?"

"Yes, of course it is. At least, when you get the thing dead right and know it's dead right, there's no excitement like it. It's marvelous. It makes you feel like God on the Seventh Day - for a bit, anyhow."

"Well, that's what I mean. You expend the trouble and you don't make any mistakes - and then you experience the ecstasy. But if there's any subject in which you're content with the second-rate, then it isn't really your subject."


Then, later in the conversation, Miss de Vine asks Harriet, "You'd lie cheerfully, I expect, about anything except - what?"

"Oh, anything!" said Harriet, laughing. "Except saying that somebody's beastly book is good when it isn't. I can't do that. It makes me a lot of enemies, but I can't do it."

"No, one can't," said Miss de Vine. "However painful it is, there's always one thing one has to deal with sincerely, if there's any root to one's mind at all."


Later yet, discussing their "one thing", Miss de Vine points out that some people have another person as their job, and how difficult this can be. Harriet says, "I suppose one oughtn't to marry anybody, unless one's prepared to make him a full-time job."

And Miss de Vine replies, "Probably not; though there are a few rare people, I believe, who don't look on themselves as jobs but as fellow creatures."


I have to say, my husband is one of those "few rare people."

Anyway, I've loved this book for a long time, but this time through, it's striking me that it might as well be called the manifesto of the INFJ. Both heart and brain. It makes me curious - I know INFJ's are more likely to be found in profusion online than in real life - any other INFJ's who feel like this book perfectly depicts the cry of their heart?

Equally, I'm interested in knowing if this book produces that response in any other personality types, and, if so, which. Please speak up in the comment box!

Peace of Christ to you,

Jessica Snell